Author Topic: St Paul's Parish, Glasgow.  (Read 1766 times)

Offline garngad

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Re: St Paul's Parish, Glasgow.
« Reply #9 on: Wednesday 28 May 25 22:16 BST (UK) »
to add I did have a grandaunt Charlotte Crawford (1910-1987) the grandaughter of James+Jane, Charlotte married James McMillan (1911-1953) they in turn had a son James (1958-2010) who did emigrate to Australia . garngad
Henderson
Crawford

Offline Kiltaglassan

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Re: St Paul's Parish, Glasgow.
« Reply #10 on: Thursday 29 May 25 07:51 BST (UK) »

Quote
...a marriage in 1876 in Lisnaskea/Moat between my gg grand parents James Crawford (1842-1915) and Jane McManus (1848-1885)...

URL Link for others interested-
Marriage 5 February 1876 at Moat RC Church. Both groom and bride indicate their age as Full Age (21 yrs and over). James living in the townland of Lisnagole.
https://www.irishgenealogy.ie/files/civil/marriage_returns/marriages_1876/11159/8088065.pdf
https://www.openstreetmap.org/relation/2923652#map=13/54.26383/-7.45646


Researching: Cuthbertson – Co. Derry, Scotland & Australia; Hunter – Co. Derry; Jackson – Co. Derry, Scotland & Canada; Scott – Co. Derry; Neilly – Co. Antrim & USA; McCurdy – Co. Antrim; Nixon – Co. Cavan, Co. Donegal, Canada & USA; Ryan & Noble – Co. Sligo

Offline RJ_Paton

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Re: St Paul's Parish, Glasgow.
« Reply #11 on: Thursday 29 May 25 10:54 BST (UK) »
Re Agnes & Workhouse - to me it looks like Tambourer in Muslin Warehouse - describing her occupation rather than location.

Tambour was a form of embroidery.

Offline RJ_Paton

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Re: St Paul's Parish, Glasgow.
« Reply #12 on: Thursday 29 May 25 11:01 BST (UK) »
Quote from another Rootschat thread

I can help you out here - as tambour muslin brings Jane Austin to mind!!

At the height of its popularity in Europe between 1780 to 1850, fine flowing muslin gowns, net wedding veils and scarves were embroidered, as the Napoleonic Wars made it difficult to obtain fashionable French lace.

It was worked with a hook, an ‘ari’ in India, and in the West, a ‘tambour hook’, like a sewing machine needle turned into a crochet hook which was placed inside a wooden holder.

A fine fabric – cambric, muslin or netting – was placed drum tight in a free standing embroidery hoop. The right hand held the tambour needle whilst the left hand, below the work, held the thread. The needle worked through the fabric and created a continuous line of chain stitches.

Is believed to be of eastern origin, worked in China, Persia, Turkey and India as early as the 1300s. The technique reached Europe about the mid 1700s and was referred to as ‘tambouring’ from the French ‘tambour’ for drum, a forerunner of the modern tambourine. Named after the drum shaped frame on which it was worked.