What could qualify as a 'treasonable document'? On the basis of the following notice, virtually anything.
Wicklow Newsletter, Saturday, February 24th 1866.
Treasonable Publications.
A little girl was arrested by the Constabulary in this town, for offering for sale songbooks containing seditious lyrics. As she purchased the books from a Marine Store Dealer in the town, it led to their arrest and the parties are to be tried for their offences.
A man named Hugh Byrne was committed to goal yesterday, suspected of treasonable practices under the provision of the Habeas Corpus Suspension Act.
In what sense could the contents of a songbook be regarded as seditious? The following extract, from
Young Ireland & The Writing Of Irish History, by James Quinn, University College Dublin Press (2015), may shed some light:
The
Nation contended that 'the history of Ireland has not yet been written' and that Ireland could not claim to be a nation until this was done. ... It claimed Ireland was deficient in three crucial areas: 'national self-respect, knowledge of our own past, and
national ballads'. The comparison was often drawn with Scotland, whose ballads were seen to be an integral part of Scottish nationality, and the words of the Scottish patriot Andrew Fletcher were quoted approvingly: 'it is of little consequence who makes the laws of a country if the song-making be in proper hands'. The
Nation dedicated itself to the task of giving the Irish people better songs to sing, claiming that nothing could succeed until these had laid 'a fertile deposit in the public mind'. Raising the tone of Irish popular song accorded with Young Ireland's mission of national improvement. ... In his
Songs of Ireland, the Young Irelander Michael Joseph Barry explicitly rejected
songs which are un-Irish in their character of language, and those miserable slang productions, which, representing the Irishman only as a blunderer, a bully, a fortune-hunter, or a drunkard, have done more than anything else to degrade him in the eyes of others and, far worse, to debase him in his own.... [Thomas Davis, one of the founders of the
Nation and its most talented contributor], regarded a comprehensive ballad history as 'the greatest book (religion apart) that a country can possess' and lauded the part ballads had played in forging national sentiment in Scotland, Spain and Germany. The proposed work began in the
Nation on 18 January 1845 with a ballad on the battle of Clontarf of 1014; others on 'The battle of Callan AD 1261', 'The Coming of St. Patrick' and the 'Battle of Credran AD 1257' followed. However, their quality did not match Davis's hopes and the series came to an abrupt end in May 1845.
In keeping with Young Ireland's prose historical writings, most of the pieces in the ballad history series celebrated military victories. Such 'war songs' were a staple of the
Nation, allowing the paper to express militant nationalist sentiment while avoiding the risk of prosecution by placing it in a historical setting. Davis saw them as a subtle and insidious form of propaganda that could appeal to the patriotic instincts of even political opponents. However Tories such as Isaac Butt, Joseph Sheridan Le Fanu and John Wilson Croker were deeply uneasy at the inflammatory language of much Young Ireland verse, and
The Times of London commented,
Let a man make his thoughts rhyme, and there is hardly any amount of treason and iniquity he may not utter...no sedition appears too daring to be spoken, no atrocity too great to be recommended with impunity...In 1843 the most popular of these songs were collected and published as the
Spirit of the Nation, in a cheap shilling edition. It was enormously popular, going into six editions in its year of publication. By 1877 it had gone through 50 Dublin editions, and was also published in Boston and New York; it remained in print for over 90 years with a 97th edition published in 1934. - pp. 42 - 50.
There is every chance, therefore, that the little girl arrested by the Constabulary in Wicklow in February 1866 was selling a cheap edition of
Songs of Ireland or
Spirit of the Nation.